![]() ![]() If you push any of these settings too far, the effect tends to degrade. The subtle darkness that shrouds your videos makes every edit less obvious and adds an enigmatic feeling to the composition. ![]() This innovative pack uses the mysteriousness of shadows to give you endless ways of shifting between two shots. Every editor needs a variety of tools to cope with countless clips with diverse looks, topics and characteristics. The Control Null allows you to fine tune your Wind, Wind Turbulence, and Delay settings. 50 Shadow Transitions Built Exclusively For FCPX. If you are tracking to an object or person, you will want to parent your source null to that position. The Source Null controls all the movement. If you don’t see the null names, select ‘Layer Name’ above your layer window. You may see the image shift as the puppet pin points jump to the null points, but if you were close with your puppet pin point placement, the shift should be minimal. Note: Ignore the Endpoint Selector Null, which is usually in the center and Red, when placing your pin points.Īfter placing your Puppet Pin points near the top left of each null, hit the Generate button. Place the Pins approximately at the top left of each null. You need to put one pin for every Null you generated. Select your precomp with the VFX Element and solid. You can always adjust these settings later when the Control Null is generated. Then enter the amount of Wind, Wind Turbulence, and Delay you would like. If you have a wide-based VFX Element, watch the video above to learn how to use the MotionCrate Script with it. We do not recommend more than 7 for any purpose. The smoother you want your reaction curve, the higher the number of Nulls. Move those points to their respective top and bottom of the solid you have masked out.Įnter the number of Nulls you would like to create. This will create a null with 2 points, Top and Bottom. Navigate back to your main composition so you are no longer in your precomp.
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